Paret Cuban Fighter Essay Help
The Death of Benny Paret —Norman Mailer
Paret was a Cuban, a proud club fighter who had become welterweight champion because of his unusual ability to take a punch. His style of fighting was to take three punches to the head in order to give back two. At the end of ten rounds, he would still be bouncing, his opponent would have a headache. But in the last two years, over the fifteen-round fights, he had started to take some bad maulings.
This fight had its turns. won most of the early rounds, but Paret knocked down in the sixth. had trouble getting up, but made it, came alive and was dominating Paret again before the round was over. Then Paret began to wilt. In the middle of the eighth round, after a clubbing punch had turned his back to , Paret walked three disgusted steps away, showing his hindquarters. For a champion, he took much too long to turn back around. It was the first hint of weakness Paret had ever shown, and it must have inspired a particular shame, because he fought the rest of the fight as if he were seeking to demonstrate that he could take more punishment than any man alive. In the twelfth, caught him. Paret got trapped in a corner. Trying to duck away, his left arm and his head became tangled on the wrong side of the top rope. was in like a cat ready to rip the life out of a huge boxed rat. He hit him eighteen right hands in a row, an act which took perhaps three or four seconds, Griffith making a pent-up whimpering sound all the while he attacked, the right hand whipping like a piston rod which has broken through the crankcase, or like a baseball bat demolishing a pumpkin. I was sitting in the second row of that corner—they were not ten feet away from me, and like everybody else, I was hypnotized. I had never seen one man hit another so hard and so many times. Over the referee’s face came a look of woe as if some spasm had passed its way through him, and then he leaped on to pull him away. It was the act of a brave man. was uncontrollable. His trainer leaped into the ring, his manager, his cut man, there were four people holding , but he was off on an orgy, he had left the Garden, he was back on a hoodlum’s street. If he had been able to break loose from his handlers and the referee, he would have jumped Paret to the floor and whaled on him there.
And Paret? Paret died on his feet. As he took those eighteen punches something happened to everyone who was in psychic range of the event. Some part of his death reached out to us. One felt it hover in the air. He was still standing in the ropes, trapped as he had been before, he gave some little half-smile of regret, as if he were saying, “I didn’t know I was going to die just yet,” and then, his head leaning back but still erect, his death came to breathe about him. He began to pass away. As he passed, so his limbs descended beneath him, and he sank slowly to the floor. He went down more slowly than any fighter had ever gone down, he went down like a large ship which turns on end and slides second by second into its grave. As he went down, the sound of Griffith’s punches echoed in the mind like a heavy ax in the distance chopping into a wet log.
|Real name||Bernardo Paret|
|Born||(1937-03-14)March 14, 1937|
Santa Clara, Cuba
|Died||April 3, 1962(1962-04-03) (aged 25)|
Manhattan, New York City, New York
|Wins by KO||10|
Bernardo "Benny the Kid" Paret (March 14, 1937 – April 3, 1962) was a Cubanwelterweightboxer who won the World Welterweight Championship twice in the early 1960s. He also vied for the world middleweight championship. He was born in Santa Clara, Cuba.
Paret's death occurred 10 days after injuries sustained in a March 24, 1962, title defense against Emile Griffith, televised live and seen by millions on ABC's Fight of the Week. Paret had a lifetime record of 35 wins (10 knockouts), 12 losses and 3 draws.
Paret won the welterweight title for the first time on May 27, 1960, by defeating Don Jordan. In his first defense of the title, Emile Griffith knocked him out in the thirteenth round on April 1, 1961. Paret recaptured the crown on September 30, 1961, in a split-decision over Griffith. Barely two months later, Paret took on middleweight champion Gene Fullmer and was knocked out in the tenth round being behind on all three judges' scorecards.
Last fight and death
Main article: Benny Paret vs. Emile Griffith III
Although Paret had been battered in the two fights with Griffith and the fight with Fullmer, he decided that he would defend his title against Griffith three months after the Fullmer fight. Paret-Griffith III was booked for Madison Square Garden on Saturday, March 24, 1962, and was televised live by ABC. In round six Paret nearly knocked out Griffith with a multi punch combination but Griffith was saved by the bell.
In the twelfth round of the fight Don Dunphy, who was calling the bout for ABC, remarked, "This is probably the tamest round of the entire fight." Seconds later, Griffith backed Paret into the corner and unleashed a massive flurry of punches to the champion's head.
It quickly became apparent that Paret was dazed by the initial shots and could not defend himself, but referee Ruby Goldstein allowed Griffith to continue his assault. Finally, after twenty-nine consecutive punches which knocked Paret through the ropes at one point, Goldstein stepped in and called a halt to the bout.
Paret collapsed in the corner from the barrage of punches (initially thought to be from exhaustion), fell into a coma, and died ten days later at Roosevelt Hospital in Manhattan from massive brain hemorrhaging. Paret was buried at Saint Raymond's Cemetery in the borough of the Bronx in New York City.
The last fight between Paret and Griffith was the subject of many controversies. It is theorized that one of the reasons Paret died was that he was vulnerable due to the beatings he took in his previous three fights, all of which happened within twelve months of each other. New York State boxing authorities were criticized for giving Paret clearance to fight just several months after the Fullmer fight. The actions of Paret at the weigh in before his final fight have come under scrutiny. It is alleged that Paret taunted Griffith by calling him maricón (Spanish slang for "faggot").
Griffith wanted to fight Paret on the spot but was restrained. Griffith would come out as bisexual in his later years, but in 1962 allegations of homosexuality were considered fatal to an athlete's career and a particularly grievous insult in the culture both fighters came from. The referee Ruby Goldstein, a respected veteran, came under criticism for not stopping the fight sooner. It has been argued that Goldstein hesitated because of Paret's reputation of feigning injury and Griffith's reputation as a poor finisher.
Another theory is that Goldstein was afraid that Paret’s supporters would riot. The incident, combined with the death of Davey Moore a year later for a different injury in the ring, would cause debate as to whether boxing should be considered a sport. Boxing would not be televised on a regular basis again until the 1970s.
The fight marked the end of Goldstein's long and respected career as a referee, as he was unable to find work after that. The fight was the centerpiece of a 2005 documentary entitled Ring of Fire: The Emile Griffith Story. At the end of the documentary Griffith who has harbored guilt over the incident over the years is introduced to Paret's son. The son embraced Griffith and told him he was forgiven.
In popular culture
Paret's death was chronicled in a 1962 protest song by folksingerGil Turner. The song, "Benny 'Kid' Paret", was published in Broadside magazine that same month and was recorded later in the year by Turner's group, The New World Singers, for the 1963 Folkways album Broadside Ballads, Vol. 1.
The emotive poem "Muerte en el Ring" ("Death in the Ring") by Afro-Peruvian poet Nicomedes Santa Cruz recounts Paret's life, to the moment of his last breath.
A semi-fictionalized story of the fight was told live by radio dramatist Joe Frank in the 1978 program "80 Yard Run" on WBAI in New York, and replayed several times subsequently on NPR. In it, Frank cast Griffith rather than Paret as the defending champion and makes no mention of Paret's recent fights or his prior history with Griffith. In the dramatized version, Griffith dominates the fight from the beginning, with the fight ending in the middle rounds and Paret dying later that night.
Paret is also one of many boxers named in the lyrics of Sun Kil Moon's album Ghosts Of The Great Highway. The album builds several songs around the stories of boxers who died early deaths.
The story of Emile Griffith and Paret's death has been turned into an Opera in Jazz, Champion. It premiered on the campus of Webster University in Webster Groves, Missouri on June 15, 2013. The opera was written by composer Terence Blanchard, with a libretto by playwright Michael Cristofer, who went on to develop the stage play "Man in the Ring" on the same subject. The play premiered at the Court Theatre in Chicago in 2016.
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